Donegal County Council is inviting submissions from members of the public on proposals to vary the basic rate of Local Property Tax in Donegal in 2020.The Council is keen to hear views and opinions on any proposal to vary the rate of Local Property Tax, and in particular on the potential effects of any variance on households, individuals, businesses, and on Council services. The Local Property Tax, which came into effect in 2013, is an annual tax charged on residential properties in Ireland. In accordance with the Finance (Local Property Tax) Act 2012 (as amended), a local authority may vary the basic rate of Local Property Tax within its own area by a maximum of +/- 15%.This means that Donegal County Council can either increase or decrease the rate of Local Property Tax in Donegal in 2020 by a maximum of 15% of the 2019 rate.For example, if a house is valued at under €100,000, the Local Property Tax payable in 2019 is €90. If the Local Property Tax rate is increased by 15%, this house-owner will pay €103.50 in 2020. If the Local Property Tax rate is reduced by 15%, then this house-owner will pay €76.50 in 2020.The money collected under the Local Property Tax contributes towards the cost of providing a range of local Council services including libraries, public lighting, road maintenance, housing services, fire services, dealing with illegal dumping and littering, community initiatives, beach management, and tourism development initiatives. An adjustment in the rate of Local Property Tax will have an impact on the Council’s capacity to deliver these services. For instance, if the LPT rate is reduced, then the income available to the Council will be reduced.This, in turn, will limit the range and extent of services and supports that can be provided in 2020.If the rate is increased, then the income available to the Council will be increased. This, in turn, will increase the Council’s capacity to deliver services and supports in 2020.Having considered a range of issues, the Council could also decide not to vary the rate, thereby leaving the rate the same as for 2019.To reiterate, Donegal County Council is keen to hear views and opinions on any proposal to increase or decrease the rate of Local Property Tax in Donegal in 2020. In particular, the Council invites comments concerning the potential effects of varying the basic rate of Local Property Tax, particularly any potential effects on households, on individuals, on businesses, and on Council services. Public’s view sought by council on rate of local property tax was last modified: July 17th, 2019 by Shaun KeenanShare this:Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on Reddit (Opens in new window)Click to share on Pocket (Opens in new window)Click to share on Telegram (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to share on Skype (Opens in new window)Click to print (Opens in new window)
An elephant is built like a four-wheel drive vehicle, say scientists from the Royal Veterinary College in London. Unlike other mammals, which divide acceleration and braking between the front and rear legs, “power is applied independently to each limb,” reported PhysOrg from a paper in PNAS.1“Elephant limbs operate analogously to four-wheel-drive vehicles,” the authors stated unabashedly in their paper. “Although the four limbs share qualitatively equivalent mechanical functions (i.e., their contributions to braking and propulsion are proportionately similar, not skewed toward one or the other), elephant locomotor mechanics are dominated by the forelimbs, which do more work and contribute more power to the CoM [Center of Mass].”The benefits of independent leg control come at the cost of lower effective mechanical advantage, requiring more energy at higher speeds, the authors explained. That’s why elephants do not run very fast for very long. Another study published by the University of Manchester last fall, however, said counterintuitively that “Large, lumbering animals such as elephants move much more efficiently than small, agile ones such as mice” (see PhysOrg). In fact, contrary to man-made vehicles, “bigger animals move three and a half times more efficiently than smaller ones.” This comes from having upright posture and more spring in the step.The reduced mechanical advantage from four-leg drive needs to be seen in context. Another study reported by Royal Veterinary team last month in PhysOrg said that an “elephant’s movements are extremely economical.” They compared it to mice and men:2 “Consuming a minimum of 0.8J/kg/m, an elephant’s cost of transport is 1/3 that of humans and 1/30 that of mice.”They also examined whether elephant locomotion at higher speeds is best described as walking or running. It’s both, depending on the definition. They observed that, running or walking, elephants keep a remarkably even keel. Watch an elephant’s shoulder next time you see one at a trot. The scientists measured this, and found that “the elephant’s centre of mass bounces less than other animals’, reducing the giant’s cost of transport.”From the baby elephant walk to the bull run, the gait of the elephant appears well designed for its four ton bulk. None of the papers said anything about how this independent leg control might have evolved. The PNAS paper, however, made one astonishing admission about evolution. The authors essentially said that a contradiction to evolutionary expectations was somehow due to evolution anyway: “Functional equivalence of all four limbs is in contradiction to our previous findings, which assumed some functional similarity between the limbs of elephants and other mammals. This equivalence seems to be a unique specialization of elephants that relates to their unique size, range of habitats, and evolutionary history.” That statement did not include any references to evidence of fossil transitional forms going from rear-leg to four-leg design.1. Ren, Miller, Lair and Hutchinson, “Integration of biomechanical compliance, leverage, and power in elephant limbs,” Proceedings of the National Academy of Sciences, published online March 29, 2010, doi: 10.1073/pnas.0911396107.2. Recall from the 11/18/2004 entry that human anatomy is remarkably well adapted for distance running.That lone reference to evolution was disgusting. Did you catch that? They used zero evidence to support evolution. (Again.) If unique traits can be attributed to “evolutionary history” as much as homologous traits can, Darwin has rigged a scam. It’s the old heads-I-win-tails-you-lose trick.If anything, elephants have devolved. The fossil record shows larger, more powerful members of the elephant family – the wooly mammoths, and several other robust behemoths no longer with us. We can appreciate the design of the sport utility vehicles still around, and only wonder at the humvees and tanks of the past. And just imagine the power of the dinosaurs, like the gigantic Titanosaurs. The Creator knew how to move a lot of mass around with efficiency and grace; after all, he created the laws of physics, too.(Visited 13 times, 1 visits today)FacebookTwitterPinterestSave分享0
President Jacob Zuma will be travelling to the United Kingdom at the invitation of the Queen Elizabeth II. (Image: The Presidency)President Jacob Zuma will visit the United Kingdom (UK) at the invitation of Queen Elizabeth II. He is expected to discuss bilateral trade and issues of mutual interest with the Queen and Prime Minister Gordon Brown.The trip is viewed as a positive step towards consolidating relations and improving trade between the two nations. The queen invites only one head of state a year to visit her, so Zuma’s visit is a significant stride for South African relations with Britain.The South African president will be travelling to the UK on 2 March. On the morning of the 3 March, a horse carriage will collect Zuma at the London hotel and take him through St James Park in central London to Buckingham Palace where he will be the guest of Queen Elizabeth II.He will be travelling with 12 Cabinet ministers including International Relations Minister Maite Nkoana-Mashabane, Defence Minister Lindiwe Sisulu, Water Affairs and Environment Minister Buyelwa Sonjica and Finance Minister Pravin Gordhan.He will meet with Conservative Party leader David Cameron and Liberal Democrats leader Nick Clegg.The visit will include a state banquet hosted by Queen Elizabeth II and the Duke of Edinburgh in honour of Zuma, and a banquet hosted by the Lord Mayor of London.Zuma has been asked to unveil a plaque at Oliver Tambo House, the former residence of the late ANC president in Muswel Hill, and meet with community leaders who have had a long association with South Africa and the struggle for liberation.The visit highlights the increasingly important economic relationship between Britain and South Africa. Britain is one of South Africa’s top three trading partners, with about R74.9 billion in trade passing between the two nations in 2008.The UK is also South Africa’s largest foreign investor with investment flows ranging from R21.8 billion in 2004 to R47.7 billion in 2005.Zuma will also be addressing the Members of the British Parliament at the Palace of Westminster.“He will discuss social security with the queen; but heavyweight political discussions will be reserved for his meetings with British government and party leaders,” said Vincent Magwenya, presidential spokesperson.“South Africa and the UK will also have a chance to share experiences as they are both preparing for major sporting events. South Africa is hosting the 2010 FIFA World Cup, while the UK is hosting the 2012 Olympic Games,” said Magwenya.Cementing old relationsSouth Afria and the UK enjoy long-standing cordial relations, which date back to the colonial era.Since 1994 the two countries have worked together on many bilateral and multilateral issues, and as partners on the SA-UK Bilateral Forum – a structured mechanism to manage and monitor bilateral relations between the two countries.Areas of co-operation within the bilateral forum include agriculture, arts and culture, defence and military veterans, education, health, home affairs, national Treasury, police, science and technology, sport and recreation, tourism, trade and industry, and water and environmental affairs.
Five of Africa’s top independent filmmakers participated in a discussion panel at the 2017 Rapid Lion South African International Film Festival, sharing their thoughts on the state of African cinema and its future.Film directors (from left) Vincent Moloi, Steve Gukas, Arthur Musah, Daryne Joshua and David Mboussou discuss the African film industry with mediator Eric Miyeni at a Brand South Africa discussion during the Rapid Lion South African International Film Festival on 6 March 2017. (Image: Brand South Africa)CD AndersonThe RapidLion South African International Film Festival is showcasing the best films and filmmakers of Africa and its diaspora, and BRICS (Brazil, Russia, India, China and South Africa) members. The festival will run until 12 March 2017 at the Market Theatre in Newtown, Johannesburg.The festival includes screenings of films and documentaries, as well as panel discussions and an awards ceremony. The workshops focus on deepening mutual understanding, strengthening collaborative relations and exploring opportunities for growth and investment in the film-making industry.Brand South Africa has partnered with RapidLion to celebrate African filmmaking, particularly South African cinema. Under the theme of Inspiring New Ways, the partnership aims at soliciting ideas and perspectives from filmmakers and industry players on how African – and the South African Nation Brand – stories can be communicated in visual form, through compelling storytelling.During a recent panel chaired by festival director Eric Miyeni, a diverse group of African directors spoke about their experiences working in the industry, promoting their films to a global audience and finding the spirit of true African storytelling.The discussion focussed specifically around the theme of “how should cinema reflect Africa today?”.The five filmmakers were:David Mboussou, Gabonese director of the documentary series I am Congo.Arthur Musah, US-based, Ghana-born documentary maker. His film Naija Beta follows Nigerian undergraduates returning home to host a robotics summer camp for high schools.South African documentarian Vincent Moloi. His documentary, Skulls of My People, is an in-depth look at the history of German colonialism in Namibia and its effect on the country’s indigenous people.Steve Gukas, Nigerian director of the highly praised Ebola drama 93 Days, which stars Danny Glover.South Africa’s Daryne Joshua, director of the critically acclaimed prison drama Noem My Skollie.Combating the legacy of Western [email protected]_SA @MarketTheatre @ArtsCultureSA @Abramjee @RapidLionFilm African stories in an eye of an African, not WEST! #BrandSAPanelDiscussion pic.twitter.com/g8ueCoYyGM— Nkululeko Ngubane (@Nkulie14) March 6, 2017Miyeni opened the discussion highlighting the challenges of being an African filmmaker attempting to take African stories to the rest of the world. With a legacy of these stories being told through a more Western/European lens, African filmmakers, he said, have a responsibility to represent the continent and its people more accurately. Filmmakers also needed to find the stories that have yet to be told, and take those stories to the world.Mboussou concurred, aptly using an African proverb – “until lions are able to tell the story, hunters will always be the winners” – to encourage the sharing of ideas and knowledge between the continent’s filmmakers and finding common ground to get more African stories told globally.Musah, as American-Ghanaian, said it was important to get the stories he told right through diligent, honest research.Gukas reiterated that African stories need not fulfil conventional Western film narratives, but focus on the human experience. “Africans can find any story to tell, good or bad, as long as it was mindful of the right sensibilities and responsibilities of telling those stories.”Joshua, who with Skollie, attempted to tell a different kind of story about South Africa’s coloured community, said it was important to get the narratives right through cooperation and collaboration with the community whose stories filmmakers are attempting to tell.What challenges exist within African [email protected]_SA @ArtsCultureSA @Abramjee @RapidLionFilm Arts&Culture treaties signed with the world, is it working for us?#BrandSAPanelDiscussion pic.twitter.com/nuslRBcE8x— Nkululeko Ngubane (@Nkulie14) March 6, 2017Miyeni asked panellists what they considered are the issues negatively impacting African storytelling in film.Across the board, the panel agreed that combating African stereotypes in film was imperative.Musah said as a filmmaker working in Africa and the US, it was a difficult to not be influenced by the usual Western film tropes that characterised Africa in film. His role as filmmaker, in general, was to fight clichés and champion realism in the stories he told.Moloi said that filmmakers, particularly documentarians, needed to treat their subjects with respect.Joshua added that even though it was sometimes challenging to find a positive angle in telling real stories, audiences responded well to uplifting, optimistic storytelling even when dealing with difficult themes.Gukas said the most prevalent challenge to making great African cinema was overcoming the “white saviour complex” in films. Not only did the notion of idealising western convention over realistic African stories impact the way the world sees the continent, more importantly, watching “Hollywood heroes” coming to Africa’s rescue impacted the way African audiences see themselves.From a marketing point of view, panellists agreed that filmmakers and audiences needed access to more platforms to see diverse products from small, independent African filmmakers that often get lost in the larger global cinema marketing machine.More specialised film festivals are also needed with better access to online video platforms to get the word out and create a buzz around films, no matter how small, and to boosts audiences.How to make African cinema world [email protected]_SA @MarketTheatre @ArtsCultureSA @Abramjee @RapidLionFilm Role of Cinema in positive portrayal of Africa? #BrandSAPanelDiscussion pic.twitter.com/HAPkQDHwCm— Nkululeko Ngubane (@Nkulie14) March 6, 2017Wrapping up the panel, Miyeni asked the filmmakers how the African film industry could compete with international film markets.Joshua said that even with the exceptional technical skills the continent has built up over the last few years, a focus must now be on writing and storytelling. While finding resources is easy – “all it takes is a pen and a page”- nurturing African writers with good, original and diverse stories is important.Moloi repeated a call for not only finding new markets for African film, but to create our own markets. “Embrace new media, like online video sharing,” and find ways to control the editorial direction of the art form. Also, as agreed by the entire panel, new funding models need to be found that emphasise content over commerce.Movie fans, journalists, bloggers and other influencers need to “be champions of African film and stories”, said Gukas. This kind of exposure will change the narrative of the African film industry and change global attitudes. The films are slowly being made, the world just needs to be told about them.From a technical standpoint, Musah thought specialisation is key. “Perfect the craft, find new ways of doing things using the tools available.”The Rapid Lion South African International Film Festival ends on 12 March 2017. For more information, check the festival website.Would you like to use this article in your publication or on your website? See Using Brand South Africa material.
Posted on October 8, 2019Author Nathalie DuboisCategories Hair ExtensionsTags RED CHERRY Love Them! Nice for Daytime/beginners view our storefront for multi-buy offers! Re-usable Thats my second pairi love itvery fast delivery. Love these eyelashes, already putting in my next order. Definitely worth buying again. Wore them for a summer ball and could barely feel them. Light and easy to wear for every day , natural length. You need to wear eyeliner with this product as the knotting is visible when you apply them, but overall they are really good. So brill look the most natural amazing and lasted on for 3 days. Amazed at the quality and i always use duo glue its the best ever for lashes. Had to trim about half the band off because they are huge. But overall perfect for my hooded eyes :). Great lashes Brilliant product definitely reccommend. They are so natural, they look lovely. Bought as a present very good but not real hair. Had expected these to be natural-looking but they scream ‘fake’, alas. I really am loving the red cherry lashes which i can’t seem to find on the high street. I bought the 747xs to try them as i feel too self conscious with very long lashes. Good delivery and good price also. 100% Human Hair I love these lashes so much, i bought several. The is perfect in that i didn’t have to trim the ends and the quality is excellent. Never thought i would ever find false lashes that felt so comfortable to wear even during the daytime as i’ve always thought of these purely for glam nights.The #747xs is perfect for daytime wear and the ‘s’ which is a little longer in length, is ideal for pm and the ‘m’ i’m saving for partying. So during the day, i feel glamorous all the time. Definitely going to stock up on these. Is very natural maybe too natural doesn’t have the wow. Perfect for natural- natural glam look(i have very short eyelashes & very long lashes look ridiculous on me). Love red cherry for their stles and ease of application. These might be slightly short for some tastes though. Lightweight SummaryReviewer Nathalie DuboisReview Date2019-10-08 19:08:47Reviewed Item Red Cherry 100% Human Hair Eyelashes #747xsRating 4.3 / 5 stars, based on 21 reviews
An encounter broke out between the army and militants near the Line of Control in Uri sector of north Kashmir on Friday, with a militant believed to have been killed in the operation, an Indian army official said. The encounter began Friday morning in